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  <front>
    <journal-meta>
      <journal-id journal-id-type="publisher-id">1832</journal-id>
      <journal-title-group>
        <journal-title>Journal of Cultural Analytics</journal-title>
      </journal-title-group>
      <issn pub-type="epub">2371-4549</issn>
      <publisher>
        <publisher-name>Center for Digital Humanities, Princeton University</publisher-name>
      </publisher>
      <self-uri xlink:href="https://culturalanalytics.org/">Website: Journal of Cultural Analytics</self-uri>
    </journal-meta>
    <article-meta>
      <article-id pub-id-type="publisher-id">11035</article-id>
      <article-id pub-id-type="doi">10.22148/16.019</article-id>
      <article-categories>
        <subj-group subj-group-type="heading">
          <subject>Article</subject>
        </subj-group>
      </article-categories>
      <title-group>
        <article-title>The Transformation of Gender in English-Language Fiction</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <contrib-id contrib-id-type="orcid" authenticated="false">https://orcid.org/0000-0001-8960-1846</contrib-id>
          <name>
            <surname>Underwood</surname>
            <given-names>Ted</given-names>
          </name>
        </contrib>
        <contrib contrib-type="author">
          <name>
            <surname>Bamman</surname>
            <given-names>David</given-names>
          </name>
        </contrib>
        <contrib contrib-type="author">
          <name>
            <surname>Lee</surname>
            <given-names>Sabrina</given-names>
          </name>
        </contrib>
      </contrib-group>
      <pub-date publication-format="electronic" date-type="pub" iso-8601-date="2018-02-13">
        <day>13</day>
        <month>2</month>
        <year>2018</year>
      </pub-date>
      <pub-date publication-format="electronic" date-type="collection" iso-8601-date="2020-08-04">
        <year>2018</year>
      </pub-date>
      <volume>3</volume>
      <issue seq="1">2</issue>
      <issue-title>NovelTM Special Issue on Identity</issue-title>
      <elocation-id>11035</elocation-id>
      <permissions>
        <license license-type="open-access">
          <ali:license_ref xmlns:ali="http://www.niso.org/schemas/ali/1.0/">
              http://creativecommons.org/licenses/by/4.0
            </ali:license_ref>
          <license-p>
              This is an open access article distributed under the terms of the <ext-link ext-link-type="uri" xlink:href="http://creativecommons.org/licenses/by/4.0">Creative Commons Attribution License (4.0)</ext-link>, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.
            </license-p>
        </license>
      </permissions>
      <self-uri content-type="pdf" xlink:href="https://culturalanalytics.org/article/11035.pdf"/>
      <self-uri content-type="xml" xlink:href="https://culturalanalytics.org/article/11035.xml"/>
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      <self-uri content-type="html" xlink:href="https://culturalanalytics.org/article/11035"/>
      <abstract>
        <p>This essay explores the changing significance of gender in fiction, asking especially whether its prominence in characterization has varied from the end of the eighteenth century to the beginning of the twenty-first. We have reached twoconclusions, which may seem in tension with each other. The first is that gen-der divisions between characters have become less sharply marked over the last 170 years.</p>
      </abstract>
      <kwd-group>
        <kwd>digital humanities</kwd>
        <kwd>arts and humanities</kwd>
      </kwd-group>
    </article-meta>
  </front>
</article>
